جماليات التعبير في رسوم فاخر محمد

Abstract

Research Summary

     Current research includes four chapters. The first chapter contains the problem of research, its importance, the nature of its objectives and limits, and the definition of its terms. The problem of research was determined by the following question: What are the aesthetics of expression in the luxury drawings Mohammed? . The aim of the research: the detection of transformations and aesthetic and expressive features in the drawings of the artist Fakher Mohammed. The second chapter included the theoretical framework which contained three topics dealing with the first topic (aesthetic and philosophical reading about the concept of expression), the second topic (the approach of expressionism in contemporary Iraqi painting), and the third topic (the experience of the artist Fakher Mohammed). The third chapter contains the research procedures including: the research community and its samples and the nature of the curriculum, and then the analysis of the samples which reached (5) model. The fourth chapter contains the results of the research, conclusions, recommendations and proposals and the results reached:

1 - All the forms in the works of art in the nearness of reality in one form or another in spite of the apparent symbolism and its various expressions of expression.

2 - The artist adopted his metaphysical and intuitive perceptions and aesthetic vision in the proposal of his own configurations with the ability to reach the areas of the supematural artistic scene. The researcher reached a number of conclusions, including:

1 - The aesthetic and expressive features of the works of the artist (Fakher Mohammed) were characterized by a renewed vision and transformations according to various forms and systems inspired by self expression and the organization of its artistic elements according to various aesthetic patterns.