The Role of Storytelling in Debbie Tucker Green's Random
DOI:
https://doi.org/10.31185/lark.3677Keywords:
Storytelling, narration, violence, grief, loss, Debbie Tucker Green, RandomAbstract
Storytelling is a theatrical method employed by playwrights to delve into the profound aspects of a character's psyche. It allows characters to directly communicate with the audience serving multiple functions within the play. Moreover, this task can be executed by a protagonist or multiple characters, and occasionally even by actors who are not directly engaged in the play's action. Playwrights have employed this form in different periods throughout the history of drama. Debbie Tucker Green, A Black British playwright, employs the technique of storytelling in her play random to engage the audience in responding to street violence in London. The present paper aims to focus on this play, particularly on the act of storytelling, as the researcher observes that existing studies often discuss Tucker Green's plays solely within the context of her identity as a Black writer addressing issues within Black communities, neglecting to explore her unique stylistic approach. So, this study aims to fill in this gap. Tucker Green , unlike other Black playwrights, portrays traumatic experiences of loss and violence through her distinctive style of writing. By utilizing storytelling, she effectively depicts the feelings and thoughts of her characters, thus raising awareness among the audience about the vulnerability of Black citizens.
References
References
Abrams, M. H. (2012). A glossary of literary terms (10th ed.). Cornell University.
Aragay, M. & Monforte, E. (2013). Racial violence, witnessing and emancipated spectatorship in The Colour of Justice, Fallout and random. In V. Angelaki (Ed.). Contemporary British Theatre: Breaking new ground. Palgrave Mckmillan.
Beckett, S. (1958). Endgame: A play in one act. Grove Press, Inc.
Bowles, H. (2010). Storytelling and drama. Exploring narrative episodes in plays. John Benjamins Publishing Company.
Cramer, P. (1996). Storytelling, narrative, and thematic apperception test. The Gullford Press.
Dafak, M. A. (2022). Breaking the Illusion and the Fourth Wall in the TV Drama: An Analytical Study. Lark 14 (5), 728-747 https://doi.org/10.31185/lark.Vo14.Iss47.2486
Fragkou, M. (2020). Ecologies of precarity in Twenty-first century theatre: Politics, affect, responsibility (Vol. 2). Bloomsbury Publishing.
Goddard, L. (2013). Debbie Tucker Green. In D. Rebellato (Ed.). Modern British playwriting: 2000-2009: voices, documents, new interpretations. A&C Black.
Goddard, L. (2020). ‘I’m a Black woman. I write Black characters’: Black mothers, the police, and social justice in random and hang. In S. Adiseshiah & J. Bolton (Eds.). debbie tucker green: Critical perspective. Palgrave Macmillan.
Hardy, B. N. (1997). Shakespeare’s storytellers: Dramatic narration. Peter Owen Ltd.
Herman, D. The Cambridge companion to narrative. Cambridge University Press.
Schwanecke, C. (2022). A narratology of drama: Dramatic storytelling in theory, history and culture form the Renaissance to the Twenty-first century. (Vol. 80). Walter de Gruyter Gmbh & co KG.
Shakespeare, W., Lee, S. (1909). The complete works of William Shakespeare, with annotations and a general introduction by Sidney Lee. G. D. Sproul.
Tucker Green, D. (2008). Random. Nick Hern Books.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 م. م. الاء راضي مكي

This work is licensed under a Creative Commons Attribution 4.0 International License.
