The realistic construction of the female character in the Iraqi feature film

Abstract

The human being represents the basis of reference in constructing cinematic events and stories, regardless of the quality of the film or the specificity of the story, and regardless of whether the story being treated is for the character of a man or a woman. There is a group of image treatments based on cinematic theories and opinions, ranging from realistic dealing with the story to the process of reproduction. Reality with aesthetic and dramatic intent. Or constructing an unreal virtual world, i.e., formal impressionistic dealing. This is what caught the researcher’s attention, so he defined the topic of his research as related to the female character and how to construct it realistically in the Iraqi feature film. The researcher divided his research into four chapters. In the first chapter, he presented the research problem, which was represented by the question: “How do we represent the realistic structure of the female character in the Iraqi feature film?” To answer the question, specialized methods were used, which is one of the important tools that can collect information. According to the descriptive analytical approach, to complete the research and achieve the desired results. The researcher took it upon himself to reveal the nature of realistic image treatments in their dealings with the female character within the cinematic film. The research relied on a theoretical framework consisting of four chapters, the first chapter is the methodological framework, and the second chapter consists of two sections, the first section: the realistic construction of the cinematic image. The second topic: the female character in the cinematic film. The researcher presented the analysis of the selected sample in the third chapter, while in the fourth chapter the results and conclusions will also be attached to the research list of sources and references.