The plastic vision in designing contemporary propaganda posters

Abstract

 Today we live in a time of visual image in different mechanisms of demonstration techniques, from visual technology, direct design, composition panel and printed advertising, and here we mean mechanisms most of the devices and technologies updated in the technological tools, by which we can build and manufacture society. Contemporary societies find their value in owning technical pillars, venerating the media voice, and promoting media news at the most extreme.

The current research came to highlight one of those mechanisms, and related to the technical treatments used in showing its various formal formulations with a contemporary formative vision, and may be of four chapters, devoted the first chapter to the statement of the problem of research and its importance, need, purpose, and temporal limits, and spatial Objectivity as well as the definition of the terms contained in it, and then the second chapter, whose theoretical framework consisted of two topics: Artistic vision and mental and imagined references and (propaganda: its mechanism and plastic representation), while the third chapter specialized in research procedures, which included the research community consisting of selected models of the work of artists around the world, and was selected (3) publicationswere chosen from the works of contemporary artists intentionally representing the research sample, and it was analyzed according to the descriptive analytical method, while the fourth chapter included the most important results and conclusions reached by the research.