Fine vision for the formulation of murals of the facade of the Faculty of Fine Arts

Abstract

The plastic vision of the painting of the facade Faculty of Fine Arts.
The second chapter included the theoretical framework and two topics:
Chapter II / Theoretical Framework
The first topic: the concept of plastic vision.
The second topic: the decorative side of the wall art.
Theoretical Framework Indicators
The methodology and “procedures”, since the present aims at the formal vision for the formulation
of the wall paintings of the Facade of the Faculty of Arts, followed the “descriptive-analytical
approach”, analyzing content of the sample as the most appropriate approach the research
objective. The murals and the authors of (21) work will be the selection of the research sample
intentional, was selected (3) murals for the purpose of analysis was chosen deliberately.
The research came out with a set of results:
1 - The murals were designed with a visual vision of the technology axis using the mosaic
technology and the mosaic materials with transparent glass, which are alternative materials
manufactured locally.
2 - As for the center of the decoration, the murals have achieved the goal of decorating through its
interaction with the surrounding environment and the shape of the general architecture of the
building executed on it.
The main conclusions are:
1 - the art of the wall with the recipient a state of communication in the introduction of topics and
to set aside aesthetic and decorating the surrounding environment.
2. The current research is an exposition of the relationship between heritage, modernity and
modernity in the light of the topics in terms of technology and the decorative aspect.