تمثلات النحت الإغريقي القديم في اعمال الخزاف يانيس نانوريس
DOI:
https://doi.org/10.31185/lark.Vol2.Iss32.112Abstract
abstract
The present study deals with the representations of ancient Greek sculpture in the work of the potter Yannis Nanoris, a study that dealt with the work of the Greek potter Yannis Nanoris. The first chapter deals with the methodological framework of the research, which is the problem of the research, which focused on highlighting the representations of ancient Greek sculpture, which played an active role in the development of the work of the potter Yannis Nanoris. The first chapter contains the objective of the research, Ancient Greek works of potter Yannis Nanoris. Limitations of the research The current study was determined by ceramic work of the pottery of Yannis Nanoris. The second chapter covered the ancient Greek pottery and the contemporary European ceramics. The second part, And the bishop Yannis Nanoris.
The third chapter included the research procedures that included the research community and its sample, the research method, the research tool, and the analysis of the five research samples. The fourth chapter contains the results of the research and its conclusions, and the researcher reached a number of results, the most important of which:
1 - The sculptural features in the work of potter Yannis Nanoris through the use of pottery human sculpture forms associated with Greek mythology as in the sample samples (1, 2, 3, 4 '5).
- The work of potter Yannis Nanoris was characterized by movement, a figurative trait of the ancient Greek statues. The Greeks emphasized the movement, especially in the statues of the athletes, as in the sample models (1, 3, 4, 5).
The research presented a number of conclusions, the most important of which are
