اللعب الحر بالعلامة الايديولوجية في افلام ايزنشتاين فيلم (المدرعة بتومكن) انموذجا

Abstract

Research Summary:
   The developments that have taken place at the level of eating movie themes and ideas gave cinema the ability to access to this humanitarian and intellectual worlds in ways and formats aesthetic and artistic, is very important as expressing ideological concepts formats directly and indirectly, cash and curriculum developed in formulas analytical reading, including disassembly strategy that came to the disintegration of what has been built and re-built through a new literacy formulas in the permanent assignment of functions to the constant deferral of meaning. And brand ideology marked by the Russian cinema-bearing thought Marxist, was a film loaded with signs ideology, was the search address to find out that ideological labels and founded read according to the curriculum clastic through free play brand which is one of the pillars of deconstruction and the importance of the subject addressed researcher placed free play brand ideology in films Eisenstein