Absurdity and the Sisyphean Cycle in Gabriel García Márquez's One Hundred Years of Solitude

Authors

DOI:

https://doi.org/10.31185/lark.5813

Keywords:

One Hundred years of solitude, The Myth of Sisyphus, philosophical suicide, Gabriel Garcia Marquez, Camus

Abstract

This study examines the manifestations of Sisyphean absurdity in Gabriel García Márquez's One Hundred Years of Solitude (1970), drawing on Albert Camus's philosophy in his book The Myth of Sisyphus (1942/1979). The study shows how the novel embodies Camus's core concepts: the confrontation between humanity and the universe, philosophical and physical suicide, and absurd rebellion. Through analysis of the central characters, the study demonstrates that repetition in the novel is not merely a narrative device but a philosophical vision of existence—the Buendía family's life becomes an endless cycle of recurring names and tragedies, embodying the myth of Sisyphus. The study concludes that Márquez offers a profound vision: humans are condemned to repeat their actions, but freedom lies in how they confront this fate; awareness of absurdity is itself a form of rebellion, and happiness is possible despite, and indeed because of, this awareness.

References

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Published

2026-10-01

Issue

Section

Western languages ​​and literature

How to Cite

Ali Kareem Hussein, A. L. (2026). Absurdity and the Sisyphean Cycle in Gabriel García Márquez’s One Hundred Years of Solitude. Lark, 18(4), 1441-1422. https://doi.org/10.31185/lark.5813