The multiplicity of theatrical visions of theatrical text in feature film "Death of a Salesman" is a mode

Abstract

The artist is based (Director) on a text prepared in advance of the artwork, Theatrical text is one of the rich sources from which the director quotes and rephrases it artistically and in a way that suits the visual mediator according to a conscious vision that is aware of employing and employing cinematic discourse tools from the elements of cinematic language, Different visions and views vary from one director to another according to his cultural and intellectual authority in dealing with the same text, The researcher divided the study in this subject on the methodological framework, And included the problem of research, which is determined by the following question: What are the multiple visions of theatrical text in the novel? And the importance of research and its objectives of identifying the divergence of cinematic visions of theatrical text. The theoretical framework, The second section deals with two sections in the first topic: the vision of the abstract of the text quoted and the second section: the exploitation of elements of cinematic language on theatrical text, The researcher then extracted a number of indicators that he used as a tool and criterion in the analysis of the selected samples The film " Death of a Salesman " directed by Volker Schlondorf. The film "The Salesman " directed by (Asghar Farhadi) In order to reach the goal of research, and draw conclusions from the analysis of the samples, the most prominent, a new reading of the text is generated based on the multiplicity of visions and the succession of time periods of the environment surrounding the director a great role in the crystallization of the visions of the output through the impact of society and customs and traditions and the culture and thought, The researcher concluded the conclusions drawn from the results of the analysis and concluded the search list of sources and references.