performance style of the historical character in the Iraqi theater performances

Abstract

   Since the first shifts in the development of representative performance through organized methods taken from the aesthetics of sound and movement effectiveness of renewal and engagement, especially the performance of historical figures because of the large areas through artistic, intellectual and aesthetic endeavors gives the theater representative performance areas to present the historical act of personalities, the method did not stop at a single aesthetic station but Passed through the transitions of the top directors of the world and the Arabs in the treatment of historical personality, which was the center and axis in all theatrical performances, especially the Iraqi, which occupied the field of theater to provide historical figures, and for this find the researcher the problem of research across the Question: What are the techniques of representative performance of the historical character?

The research included four chapters, the first chapter is the methodological framework, which included the problem and the importance of the goal and limits of the research, and the second chapter includes the study of the concept of historical personality through time stages in the first topic, and the study of the representative performance of the historical figure, and the researcher identified a number of indicators that resulted in the study of the theoretical framework, The third chapter, which included the research procedures and the researcher identified the research community within the space-time and objectivity limits, the sample was chosen to present the play (Hussein now) intentionally, and the researcher reached a number of results after the analysis of the sample and discussed in chapter IV as well as conclusions and the conclusion of a research A list of sources and references.