Framing and its Representations in The Contemporary Husseini Theatrical text

Abstract

The problem of covering a specific event raises questions related to how to present proposals to users, and how to connect facts and their knowledge within the creation of the text, and this requires a deep understanding of the topic at hand. The writer agrees on framing to highlight a distinctive aspect that he wants to convey to the audience. The concept of framing contributes to directing public opinion, and a joint participation is shared through the method.  Presenting the facts clearly and distinctly, also defines and enhances awareness and comprehensive enlightened understanding within society, and this is what is circulated in the construction of the Al-Husseini theatrical text, in which Al-Nurani represents the dramatic conflict between the armies of justice extending to the truth and the other side of falsehood.   Here, he attempts to search for light on the concept of framing in the Hussaini theatrical text. Four chapters participated in the research: the first chapter, the theatrical framework, which is the problem of the research, its importance, and the need for it. The goal of the extension of the research is to identify the concept of framing and its representations in the Hussaini theatrical text, as an alternative to the limits of the research.  Defining terms. The second chapter consists of two sections. The first: the concept of framing. Framing is preferred in the Husseini theatrical text. The chapter ends with indicators of the theoretical framework. As for the third chapter, it included research procedures, by defining the research community, as it searches for indicators of the theoretical framework.  In the sample analysis process, intentional selection was chosen, as well as the results of the fourth chapter, using productions from the original and review.