The Aesthetics of Repetition and its Functions in the Poetry of Ezal-din Monasereh As a Distinctive Light Feature

Abstract

The connection between poetry and music is an undeniable theme that is acknowledged by the general public of culture and art, especially writers and musicians. A sentence needs the imagination to get out of the simple and everyday mode, and also needs factors such as rhyme, line, coordination of consonants and vowels, puns, etc. One of the styles that play an important role in phonetic and semantic meanings is repetition, the abundance of which in sounds, consonants, words, syllables, and sentences causes the beauty and creation of music if used correctly and deliberately. Repetition means, in fact, the expression of letters, words, sentences or phrases, or a particular style in poetry or prose more than once. This style is abundant in ancient poetry but contemporary poets have used it in a special way and with different functions from the past. Ez-al-din Monasereh (1946), a Palestinian poet, is one of the contemporary poets who has used repetition with various meanings to make his poetry as beautiful as possible. The frequency of repetition of words, sentences, and phrases in his poetry indicates his achievement of various artistic meanings. The present article intends to use a descriptive-analytical method and using the "perfect poetic works" of the poet, while examining repetition in Monasereh's poetry, to explain the aesthetic methods and functions of repetition in his poetry and to examine the new meanings in his poetry. The results show that Ezal-din Monasereh, using the elements of repetition music, has been able to reveal his situation and that of his country and use the musical rhythm and rhythm of speech in such a way that the meaning is due to the use of repetition in Ez-al-din's poetry. Monasereh has expanded significantly. The poet's main goal in repetition is to create a strong relationship between his poem and the reader to involve the reader in his emotions and feelings.