The Directing Vision of Shakespearean Text in Cinema (Hamlet Kenneth Prana as a model)

Abstract

The researcher  adopts directing vision of the Shakespearean text in cinema and film discourse. Among the huge number of visions and theatrical treatments, Hamlet's film director Kenneth Prana was chosen as a production model for 1996, which is based on a play of the same name by the English writer William Shakespeare. Between the Shakespearean texts in the cinema, but what drew the researcher's opinion that the film directors have a different visions even to the text, and hence we find that the problem of this research comes in accordance with the following question: How does the directing vision of Shakespearean text become more flexible and interpretable than others?

Chapter 1: Methodological Framework: Research Problem - Research Objectives - Research Limits - Importance of Research - Terminology.

Chapter Two: Theoretical Framework: The first subject: The vision of the director in cinema.

The second topic: cinematic treatments of Shakespearean text.

Chapter three. The procedural framework includes: The research community - Analysis of samples - Method of research The researcher then reached a number of conclusions and conclusions:

1. Directing vision is the special formulation by which the meanings of theatrical text are transformed into a cinematic work in a new and innovative way, which refers to the visual expressed images , and what had achieved in the film of the director Kenneth Prana Hamlet.
2. The form of the Shakespearean text is a very complex even in structure and an inattentive feature of contemporary film production, because it contains aesthetic and intellectual wealth, and adheres to its intellectual structure and its variants on all social and cultural levels.