Natural art in pottery of ancient Iraq
DOI:
https://doi.org/10.31185/lark.Vol1.Iss40.1648Keywords:
Innate art .pottery. Ancient Iraq.Abstract
This research means studying the innate art in the pottery of ancient Iraq, and it falls into four chapters. The first chapter is devoted to explaining the research problem, its importance, the need for it, the research goal and its limits, and the definition of the terms contained in it. Artistic in the presence of innate characteristics that are transferred to the surface of the artwork. The importance of the research is evident in that it shows a clear idea of the presence of fungi and the extent of its use in pottery. The aim of the research aims to discover the innateness in the pottery of ancient Iraq. The research was limited to a period (the era of the dawn of the dynasties). The first chapter was concluded by defining the term “innateness”.
As for the second chapter, it included the theoretical framework and previous studies and their discussions, as it included the theoretical framework on two topics about me, the first topic the concept of innateness, and the second topic the innate diversity in ancient Iraqi art, and it included three axes in pottery, painting and sculpture. The second chapter ended with the most important indicators that emerged from the theoretical framework, while the third chapter was concerned with research procedures, society, sample, and research tool. The fourth chapter included results, conclusions, recommendations, proposals, sources and annexes.
Among the most prominent findings of the researcher are:
- The innate effect in artistic works is a clear level of the stages that indicate the belonging of the traditional structure to the social context.
- Self-space occupies the largest space with innate connotations.
Then came the researcher's recommendations and proposals on the research
References
]1[ Barrow, Andrei: Sumer Arts and Civilization, Tel: Issa Salman and Salim Al-Tikriti, Ministry of Culture and Information Publishing, Baghdad, 1977.
]2[ Bahtami, Afif: Art and Revolution, Directorate of General Culture for Printing, Ministry of Information, Baghdad, 1982.
]3[ Al-Bahnami, Afif: Pioneers of Modern Art in the Arab Countries, Beirut, Dar Al-Raed Al-Arabi, 1978.
]4[ Al-Dabbagh, Taqiu Walid Al-Jader: Prehistory, University of Baghdad, Baghdad, 1983.
]5[ Al-Razi, Muhammad ibn Abi Bakr Abd al-Qadir: Mukhtar As-Sahah, Beirut, Umayyad Library, 1878.
]6[ The Narrator, Nuri and Akram Fadel: The Innate Series, Baghdad, No. 7, Ministry of Information.
]7[ Al-Rahim, Ahmad Hassan: Philosophy in Education and Life, Al-Adab Press in Najaf, 1977.
]8[ Reid, I ran away: Ralphen's case, T: Samir Ali, Baghdad, Freedom House for Printing, 1983.
]9[ Reid, Harrabat: The Meaning of Art, T: Sami Khashaba, Baghdad, House of Cultural Affairs, 1949
]10[ Reid, Harbat: Art and Society, T: Fares Mendy, Beirut, Dar Al-Qalam, 1975.
]11[ Saeed, Moayad: Wall Paintings Since Ancient Times, The Civilization of Iraq, Vol. 3, Baghdad, 1975.
]12[ Sousse, Ahmed: The Mesopotamian Civilization between the Samin and the Sumerians, Freedom House for Printing, Baghdad, 1980.
]13[ Al-Shall, Muhammad Al-Nabawi,: Taste and History of Art, Kuwait, Al-Duha Library.
]14[ Al-Shamal, Abdul-Ghani: Glossary of Scientific Terms and Art Education, 1st floor, Riyadh, Affairs Building for Libraries, 1984.
]15[ Sahib, Zuhair: Iraqi Plastic Arts, An Age Before Writing, published by the Iraqi Society of Artists, Dubai Press, Baghdad, 2007.
]16[ Sahib, Zuhair and others: Studies in the structure of art, 1st Edition, Al-Raed Scientific Library for Publishing, Jordan, 2004.
]17[ Sahib, Zuhair and Salman Al-Khattat: History of Art in Mesopotamia, Directorate of Dar Al-Kutub for Printing and Publishing, Baghdad, 1987.
]18[ Saleh, Qasim Hussein: Creativity in Art, Baghdad, Culture and Media Publications, 1981
]19[ Saliba, Jamil: The Philosophical Dictionary, Part 2, Beirut, The Lebanese House of Books, 1982.
]20[ Abdul Hamid, Shaker: The Creative Process in the Art of Photography, The World of Knowledge Series, Kuwait, The Supreme Council for Culture, Arts and Literature, 1978.
]21[Abdullah, Abdul Karim: The Art of the Ancient Man, its Methods and Motives, Baghdad, Al Maaref Press, 1973.
]22[ Al-Azzawi, Anam Saadoun: The Structure of Expression in Ancient Iraqi Art, 1st Edition, Majdalawi House for Publishing and Distribution, Jordan, 2005.
]23[ Fischer, Ernst: The Necessity of Art, T: Mayth Al-Asi, Beirut, Dar Al-Haqiqa for Printing and Publishing.
]24[ The Devotional in Language and Media: Beirut, Catholic Edition, 1969.
]25[ Senior Linguists Group: The Basic Arabic Lexicon, Arab Organization for Education, Culture and Science.
]26[ Mohsen, Aladdin: The Natural Art in Morocco, Al-Arabi Magazine, No. 362, Vol. 2, 1989.
]27[ Muhammad Ali, Muhammad Abd al-Latif: The history of ancient Iraq until the end of the third millennium BC, Bibliotheca Alexandrina, Egypt, 1977.
]28[ Madkour, Ibrahim: The Philosophical Dictionary, Cairo, General Authority for the Affairs of the Amiri Press, 1979.
]29[ Masoud, Gibran: Pioneer of Students, 1st Edition, Beirut, Dar Al-Alam Al-Mali'a, 1967.
]30[ Mazloum, Tariq Abd al-Wahhab: Sculpture from the Early Dynastic Period to the Modern Babylonian Age, from the Civilization of Iraq, Part 4, Baghdad, 1985.
]31[ Mutkart, Antoine: Art in Ancient Iraq, T: Issa Salman and Salim Al-Tikriti, Ministry of Culture and Information Publishing, Baghdad, 1975.
]32[ Montagu, Ashley: The Primitive, The World of Knowledge Series, T: Muhammad Asfour, Kuwait, National Council for Culture, Arts and Literature, 1982.
]33[ Monroe, Thomas: Evolution in the Arts or Some Other Theories in the History of Culture, Part 1, T: Muhammad Ali Abu Dora, The Egyptian Authority for Authorship and Publishing, 1971.
Tuduj, Ali Hammoud: The Impact of Using a 3D Printer in Implementing Pottery Sculpture Designs, Research by Lark Journal / University of Wasit / College of Arts, Volume 1, Issue 36 (2020).
Downloads
Published
Issue
Section
License
Copyright (c) 2020 م. د على جرد كاظم الحميري
This work is licensed under a Creative Commons Attribution 4.0 International License.
