Characteristics Of Alienation In The Paints Of Khwan Miro
DOI:
https://doi.org/10.31185/lark.Vol1.Iss40.1644Keywords:
Features. Westernization. Juan MiroAbstract
The concept of alienation is an inherent feature in the productions of artists by virtue of their distancing from everything natural, and their submission in many cases to the engineering obsession that frees them from acquiring natural forms, and to presenting more imaginary forms full of contradictory meanings and connotations of the material reality, so that the research problem is manifested by answering the question The following (did Juan Miro's drawings bear features of alienation), and the research aimed (defines the features of alienation in Juan Miro’s drawings). The limits of the research were limited to studying the artistic productions of the artist (Juan Miro) between the years (1930-1981), and a number of terms were defined for these studying, The second chapter contained two topics related to the first topic (the aesthetic and intellectual concepts of Westernization) and the second topic (Westernization approaches in modern European painting). The second chapter ended with indicators that reported the research as a test to build a tool .
As for the search procedures, the research community included (140) artworks, (3) models were selected for the research sample, taken in an intentional manner to meet the research need, and the results emerged, including:
1- The dominant phenomenon in the works of (Juan Miro) is the ability to play with shapes as in all models.
2- The formulas of distortion and their dealings in the productions of (Juan Miro) varied according to the context of the graphic formations as in all the models.
Then came the researcher's recommendations and proposals on the research.
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